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Custom Wedding Dress & Kimono Upcycled Clothes | オーダーメイドウェディングドレス&着物ドレス

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/ blogs / blog / Making Wedding Dress Pt.4 – Cutting Fashion Fabric

Making Wedding Dress Pt.4 – Cutting Fashion Fabric

August 15, 2011 By Chie

So my friend texted me the other day to tell me that she received the 5th muslin and it fit!! I was super relieved to hear that. Now I know that my pattern fits her and it’s time to cut the final fabric! I was super anxious before I received the text from her.  I was jittery, and kept checking my emails to see if she had sent word. I was so happy when she finally told me it fit her well.

As I wrote in my previous post, I’m working on seam lines, instead of seam allowances. This way I get a more accurate fit.

I was so nervous about cutting the actual fabric! But I reminded myself that if I screw it up, I can always go to Nippori and buy some more. No biggie!

I made sure not to use pins inside the seam lines. I didn’t want any needle marks on the fabric. The fabric I worked on was easily scratched.

I cut out all the pieces for the top part of the dress – center front, front side, back side and center back. Then I ironed on the iron-on interface. After using the iron-on interface though, I kind of regretted using it and thought it would have been better to use muslin fabric to underline it.

Readers, which do you prefer? iron-on interface or underline? I guess it depends on what you are sewing..any thoughts?

 

Read my progress on sewing wedding dress! :

Part 1 – Fabric shopping
Part 2 – Muslin
Part 3 – Another Muslin

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Filed Under: blog, blogs, bridal, creation

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Comments

  1. Meghan says

    August 15, 2011 at 12:38 pm

    I have always preferred iron-on interfacing, but the more and more I read about underlining, I am considering converting over. Either way, I’m sure that this dress will be amazing. =D

  2. Sue says

    August 15, 2011 at 4:35 pm

    I definately would love to try underlining out. especially after finished sew retro class now. It was super great idea use muslin as a underlining later. I wanna bring this idea to make winter coat soon.

  3. Sue says

    August 15, 2011 at 4:38 pm

    forgot to say. You will create perfect dress for your friend. Don’t worry about iron on interfacing or underlining.

  4. sarah says

    August 15, 2011 at 5:51 pm

    I tend to use iron on interfacing but I’ve had a few mis-haps with it recently and now I’m keen to try underling instead.
    i can’t wait to see this dress finished 🙂

  5. Sarah says

    August 15, 2011 at 11:54 pm

    Hello there!
    Just a quick comment with a tip when using interfacing/fusing, from you pics there it looks as though you have used an non-stretch paperey like fusing? Is that so? (Sorry can’t remember the correct name for this type of fusing!) When I was working in fashion Industry we always used a stretch high-quality fusing such as whisper weft or sheer weft fusing on all fabric types, you can purchased this type of fusing in different weights from sheer to quite a heavy weight, this fusing fuses beautifully for just about every type of fabric I have used from silks to georgettes and heavy weight wools to. Because of the stretch nature of the fusing it strengthens the fabric giving it more body and weight but without the crinkly, stiff feeling that the other types create. It still retains the quality and characteristics of the fabric you are using. Does that make sense? Maybe have a look around and see what other types of fusing are available to you and buy a small amount and do a trial on sample fabrics to see the difference? (we also used to test fusings on different fabrics to see what will be the most appropriate)

    I used to hate fusing before i knew about this type! Most sewing /fabric stores will sell this as a stretch fusing but its not to be only used for stretch fabrics!!! I know that alot of bridal places use this type of fusing to “Block” Fuse the whole amount of fabric (including the skirt) before cutting out the individual pieces as it prevents the fabric from creasing during wear and makes it really nice to sew and press aswell!

    Just as a note I only use the whisper and sheer weft fusing on all my sewing projects and have great success with it!

    Sorry for the rant, just quite particular about fusing as it does make such a difference to the finish of the garment and on a whole most home sewing places don’t really have the knowledge of the different types of fusing available and what is the best one for the job!

    Also depending on the level of stability that you are requiring, you could also use a product called “Shapewell” it may be the same thing as what you guys are calling underlining though. At times we have used both the whisper weft fusing to the main fabric then the “Shapewell” stitched to the lining…

    xxx

    • Chie says

      August 17, 2011 at 11:01 am

      hi sarah! thank you so much for sharing your insight! i learned a lot from you comment 🙂
      yes, the one i used was very paper like thick iron on interface. i wasn’t all that pleased with the result. i wasn’t terrible, but i felt as though it could have turned out better and more smooth.
      i’ve used stretch iron on interface, but i didn’t know you could use it for non-stretch fabric as well!

      by the way, i love your pattern shop! i would love to make myself the shorts you have…adorable!

  6. JEH, Esq. says

    August 16, 2011 at 5:48 am

    Yay! I was so glad to read that your friend’s muslin finally fit. Happy Sewing!

    (BTW Excellent post Sarah! I learned a lot!)

    • Chie says

      August 17, 2011 at 11:04 am

      thank you!! im so glad that it fit her too!!

  7. Dani says

    October 14, 2015 at 1:59 am

    Hey there! I am currently teaching myself to sew a wedding dress. Would anyone recommend not using interfacing at all? I have to buy some if so, but I am totally lost on what type to buy. Please help!!

    • Chie says

      October 14, 2015 at 8:59 am

      Hi Dani, I think it depends on what fabric you are using to make the dress. This post documents my very first wedding dress, so I didn’t know much. I used iron on interface, which I would not do now. When I use satin to make bodice now, I use muslin fabric (cotton) to underline, instead of iron-on. I like the finish much better. Depending on your fabric, silk organza might work better. Good luck!

Trackbacks

  1. Making Wedding Dress Pt.5 – Sewing the Bust Part says:
    August 23, 2011 at 10:01 am

    […] Today, I want to write about how it was to sew the bust part of the wedding dress, but before I do so, I wanted to share Sarah from Pattern Runway‘s insightful comment on iron-on interface in case you missed if from my last post. […]

  2. Making Wedding Dress Pt.5 – Ruching says:
    August 29, 2011 at 10:03 am

    […] 1 – Fabric shopping Part 2 – Muslin Part 3 – Another Muslin Part 4 – Cutting Fashion Fabric Part 5 – Sewing the Bust […]

  3. Making Wedding Dress Pt. 7 – Skirt Part says:
    September 5, 2011 at 7:14 am

    […] 1 – Fabric shopping Part 2 – Muslin Part 3 – Another Muslin Part 4 – Cutting Fashion Fabric Part 5 – Sewing the Bust Part Part 6 – […]

  4. Making Wedding Dress Pt.8 – Install a Zipper & Bones says:
    September 13, 2011 at 12:18 am

    […] 1 – Fabric shopping Part 2 – Muslin Part 3 – Another Muslin Part 4 – Cutting Fashion Fabric Part 5 – Sewing the Bust Part Part 6 – Ruching Part 7 –  Skirt Part Filed Under: […]

  5. Making Wedding Dress Pt.9 – Skirt Lining, Another Attempt to Install Zipper and More Supplies says:
    September 19, 2011 at 10:01 am

    […] 1 – Fabric shopping Part 2 – Muslin Part 3 – Another Muslin Part 4 – Cutting Fashion Fabric Part 5 – Sewing the Bust Part Part 6 – Ruching Part 7 – Skirt Part Part 8 – Install a […]

  6. Making Wedding Dress Pt. 10 – Hemming and Attaching Pearls and Rhinestones says:
    September 26, 2011 at 10:04 am

    […] 1 – Fabric shopping Part 2 – Muslin Part 3 – Another Muslin Part 4 – Cutting Fashion Fabric Part 5 – Sewing the Bust Part Part 6 – Ruching Part 7 – Skirt Part Part 8 – Install a […]

  7. Making Wedding Dress Pt. 11 – Balloon Train says:
    October 4, 2011 at 10:01 am

    […] 1 – Fabric shopping Part 2 – Muslin Part 3 – Another Muslin Part 4 – Cutting Fashion Fabric Part 5 – Sewing the Bust Part Part 6 – Ruching Part 7 – Skirt Part Part 8 – Install a […]

  8. Making Wedding Dress Pt. 12 – Waist Stay says:
    October 11, 2011 at 9:12 am

    […] 1 – Fabric shopping Part 2 – Muslin Part 3 – Another Muslin Part 4 – Cutting Fashion Fabric Part 5 – Sewing the Bust Part Part 6 – Ruching Part 7 – Skirt Part Part 8 – Install a […]

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このシルクの軽さ、暑い季節にちょうどいい🫠 一枚の着物から、ワイドパンツを作りました✂️薄手のシル このシルクの軽さ、暑い季節にちょうどいい🫠

一枚の着物から、ワイドパンツを作りました✂️薄手のシルクは風を通して、歩くたびに裾がふわりと揺れます♪

後ろ姿には、着物の袖だった部分を使っていてお尻の部分の花柄が上下逆さまになっています👻最初は迷ったけれど、これはこれで面白いなと思ってそのまま残しました🫶🏻

一点ものなので、この一本だけ。気になる方はプロフィールのリンクから見てみてください♡

This silk is so light, perfect for the hot season 🫠

I made these wide-leg pants from a kimono✂️ The thin silk lets the breeze through, and the hem sways softly with every step ♪

The back is made from what used to be the kimono sleeves, so the floral pattern on the hips ends up upside down👻 I wasn’t sure at first, but honestly it grew on me, so I left it as is 🫶🏻

One of a kind, just this one pair. If you’re curious, the link is in my profile ♡

#着物リメイク #kimonoremake #正絹 #一点もの #和柄 夏の装い ワイドパンツ
数年前に制作したシルクのドレス。 今回「Released. Reimagined.」というコンセプ 数年前に制作したシルクのドレス。

今回「Released. Reimagined.」というコンセプトに合わせて、@redyeingproject さんに黒染めをお願いしました。

Helen x Vivat Veritasのイベントにベンダーとして出展してくださったご縁から生まれたコラボレーションです。

「服を捨てる前に、黒染めという選択肢を。」
色あせた服を、グラム単位の染め直しで蘇らせる——そんなコンセプトに強く共感しました。

天然素材のシルクスカート部分は深く美しい黒へ。
シャンティレースの部分は、少し緑がかった表情のある色に変化しました。

一着を長く着続けるための、小さな選択。
Before / Afterの写真、ぜひご覧ください🩷🖤

A silk dress I made a few years ago.

For this ""Released. Reimagined."" concept, I asked @redyeingproject to dye it black.

This collaboration grew out of a connection made when he joined the Helen x Vivat Veritas event as a vendor.

""Before you throw it away, consider black dyeing.""
His concept — reviving faded clothes through by-the-gram redyeing — really resonated with me.

The silk skirt, a natural fiber, transformed into a deep, beautiful black.
The chantilly lace took on a subtly greenish tone.

A small choice, in service of wearing one piece for longer.
Take a look at the before/after photos🩷🖤

黒染め
@redyeingproject

Photographers
@nothing_special_88
@japanphotographer_

Model
@sienna.christinaaa

Jewelry
@viviange

Hair
@angh0
@sho_kanaida
@iam__little__boy

Make up and videos
@glam_by_jyoti

#黒染め #RedyeingProject #ReleasedReimagined #着物リメイク #サステナブルファッション
これを着て、カフェに行ったら絶対目立ちそう😆☕ アップサイクルで生まれた、新しいファッションの形。 これを着て、カフェに行ったら絶対目立ちそう😆☕

アップサイクルで生まれた、新しいファッションの形。
コーヒー豆袋のジャケット × 着物リメイクのセットアップ。

一枚一枚、生地の柄合わせから縫製まで、すべて手で仕上げています🪡🧚
実はこの着物、裏地にも別布を仕込んでいて、羽織ると初めて見える色があるんです♡

ヴィンテージ素材に眠っていたストーリーを、
もう一度誰かの日常に届けたくて作りました。

If you wore this to a café, you'd definitely stand out 😆☕

A new form of fashion, born from upcycling. A coffee bean sack jacket × a kimono-remake set-up.

Every single piece is finished entirely by hand, from matching the fabric patterns to the sewing itself 🪡🧚 Actually, this kimono has a different fabric worked into the lining too — there's a color that only reveals itself once you put it on ♡

I wanted to give the stories sleeping in vintage materials a chance to become part of someone's everyday life again.

Photographer 
@nothing_special_88 

Model
@emorylove33

Jewelry
@viviange

Make up
@elanoramua

#アップサイクルファッション #着物リメイク #サステナブルファッション
実はこのお洋服、今回のショーに入れるか自分では迷っていました。結構前に作った作品だったので。でもヘレ 実はこのお洋服、今回のショーに入れるか自分では迷っていました。結構前に作った作品だったので。でもヘレンと話す中で、これも一緒に見せようと決めました。

ヘレンと3週間近く一緒に準備を進める中で、コレクションの作り方、見る人を楽しませる魅せ方、ルック全体の組み立て方など、本当にたくさんのことを学びました。自分一人だったらこのルックスを入れる決断はしなかったと思う。誰かと一緒に作ることで見えてくるものがあるんだなと、改めて実感しました。
ヘレン、ありがとう♡

Honestly, I wasn't sure whether to include this piece in this show. It was something I'd made a while back. But talking it through with Helen, we decided to show it together after all.

Working with Helen for almost three weeks to prepare for the show, I learned so much — how to build a collection, how to style looks that engage an audience, how to put together a look as a whole. I don't think I would have made the decision to include this piece if I'd been on my own. Creating something together with someone else really opens your eyes to things you wouldn't see alone.

thank you Helen @designerhelen♡

Model @izumi_nishida

Photographer 
@nothing_special_88 

Jewelry
@viviange

Hair 
@angh0
@sho_kanaida
@iam__little__boy

Make up
@glam_by_jyoti

#KimonoUpcycled #SustainableFashion #DesignerCollab #着物リメイク #ものづくり
お客様からお預かりした大切な帯。 大切に保管されていた帯ほど、実は「日常でどう使えばいいかわからな お客様からお預かりした大切な帯。

大切に保管されていた帯ほど、実は「日常でどう使えばいいかわからない」という声をよく伺います。だからこそ、その帯の物語を読み解きながら、現代の暮らしに馴染むデザインに仕立て直すことを意識してます😌

パッと見にはわからないけれど、実は使いやすさを追求した仕掛けが隠れています。

ショルダーを付ければ、両手が空くアクティブなスタイルにも対応👜

あなたの思い出の帯も、こんな風に日常の相棒にしてみませんか?

A precious obi entrusted to me by a client.

I often hear people say they aren't sure how to incorporate their cherished obis into their daily lives. That is exactly why I focus on reading the story woven into the fabric and reimagining it into a design that fits modern living😌

There are hidden details that make this bag truly functional, even if you can't see them at first glance. By attaching the shoulder strap, it becomes the perfect hands-free bag for an active lifestyle👜

#upcycledfashion #着物リメイク #obibag #remake #sustainablestyle
飛行機と電車の中で作ったジャケットです✈️🚆 去年の夏の3週間、アメリカとヨーロッパを旅しながら、 飛行機と電車の中で作ったジャケットです✈️🚆

去年の夏の3週間、アメリカとヨーロッパを旅しながら、座席でひたすらチクチク🪡着物の裏地にキルト芯を挟んで、フリーハンドで刺し子して、日本に帰ってから染めました。

This jacket was made on airplanes and trains✈️🚆

Over three weeks last summer, traveling through the US and Europe, I stitched away in my seat🪡 
Kimono lining sandwiched with quilt batting, sashiko stitched freehand, then dyed after I got back to Japan.

Model
@kana_nakar

Photographer 
@nothing_special_88 

Nails
@ms_muse_nail

Jewelry
@viviange

Hair 
@angh0
@sho_kanaida
@iam__little__boy

Make up
@glam_by_jyoti

#kimonoupcycle #sashiko #sustainablefashion #ReleasedReimagined
#刺し子
お客様から届いたステキな帯を、オーダーメイドのリュックにアップサイクルしました✂️ 吉祥文様が織り お客様から届いたステキな帯を、オーダーメイドのリュックにアップサイクルしました✂️

吉祥文様が織り込まれた錦の帯地は、黒地に金・白・紫…と、見る角度によって表情が変わる贅沢な一品。その美しさをそのまま活かしながら、毎日持ち歩きたくなる使いやすいリュックに仕立てました。内ポケット付きで、実用性もしっかり。

受注制作についてはプロフィールのリンクよりお問い合わせください💌

A client’s treasured obi has found a new life as a custom-made backpack✂️

The brocade fabric, woven with auspicious Japanese motifs, shifts from gold to white to violet depending on the light, a truly luxurious textile. I tried to preserve its beauty while crafting it into a backpack you’d actually want to carry every day. Complete with interior pockets for real-world practicality.

For custom orders, visit the link in our profile 💌

#KimonoUpcycle #SlowFashionJapan #WearableHeritage #着物リメイク #帯リメイク
着物リメイクをするとき、どうしても捨てられてしまうことの多い裏地。 薄手のシルクの手触り、もったい 着物リメイクをするとき、どうしても捨てられてしまうことの多い裏地。

薄手のシルクの手触り、もったいなくてサマーワンピースに生まれ変わらせました。

そのままでは物足りないのでアーティストの Riko Monma @rikoshurimonmaさんに染め直しをお願いしたら、一気に息を吹き返しました✨

数年前に作ったこの一着、今回の @designerhelен とのイベントで、コレクションに加えることにしました。

Helenからは色の組み合わせについていろいろアドバイスをもらって、自分だけでは絶対に辿り着けなかったような配色を試してみたり。準備の時間も、とても楽しかった😌

The lining of a kimono — often discarded when the fabric is remade into something new.
That soft, lightweight silk felt too good to let go, so I turned it into a summer dress. It needed something more, so I asked artist Riko Monma to dye it for me — and suddenly it came alive again.

I made this piece a few years ago, but for the recent event with @designerhelena, I decided to bring it into the collection. Helen gave me so much guidance on color — combinations I never would have arrived at on my own. The whole preparation process was just really, really fun😌

Model
@bethenny.x

Photographer 
@nothing_special_88 

Nails
@ms_muse_nail

Jewelry
@viviange

Hair 
@angh0
@sho_kanaida
@iam__little__boy

Make up
@glam_by_jyoti

#着物リメイク #キモノアップサイクル #KimonoUpcycle #SustainableFashionTokyo #ReleasedReimagined
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